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The Naruto Secret: Scroll of Formation Character Official Databook (NARUTO -ナルト- 秘伝陣の書 キャラクターオフィシャルデータBOOK, NARUTO Hiden: Jin no Sho Kyarakutā Ofisharu DētaBOOK) is the fourth and latest databook, part of the Naruto Project. It's also the sixth out of all the supplementary guidebooks on the Naruto series authored by Masashi Kishimoto.
...Unless, of course, they expected the DVD sales to be alongside the same astronomical numbers that the fansubs were being downloaded. And I think we all remember, those three years or so ago, when Haruhi Suzumiya was the officially-sanctioned New Anime Hotness that everybody was talking about, everybody was watching, and everybody was super excited about. Just existing on fansubs alone, Haruhi was the talk of the anime world. But, the mistake in reasoning here is assuming that DVD sales are going to be on par with a free fansub download.
With readers unable to see differences in translation quality, what advantage does a licensee have? Currently the way official suppliers stand out from pirate distributors is their ability to provide hard copy. But this distinction will not last long, and will grow irrelevant even in its waning years. Small-scale on-demand publishing is a burgeoning industry; it's only a matter of time before a group of devoted fans, or a malicious pirating agency, offer to provide physical paper books that rival manga tankobon. Yet even while they have this advantage, the creators of physical objects are watching their a market sidling towards ones and zeroes. Traditional book publishers are losing ground even without an entrenched pirate culture consuming their consumers. In the current paradigm, American manga companies will inevitably go bankrupt.
My personal wishes are not necessarily in keeping with the best interests of a company. I, too, am guilty of consuming pirate goods; I like free stuff. Cost aside, I prefer to read manga on my phone. As a professor of literature and advocate of books in general once said, the smartphone is the best reading experience in this busy world because it never gets left behind. In this sense, even the smallest paperback is a liability. I would love to give Viz money for the joy of reading Naoki Urasawa on my Droid, but as yet they don't let me. This makes me sad. Even sadder, a company that tries to market the obscure titles I adore may put itself at risk by doing so. I am distressed that there's no official channel to throw money at my favorite manga of all time, Yokohama Shopping Trip. I can only hope that some bright individual can find the profitable path for this industry, so more gems can make their way to me, guilt-free.
Manga is similar. Sure, webcomics have made reading comics online or on a computer more popular and reasonable, but I still think there will be a crowd of people who prefer to read them as books (OR SERIALIZED MAGAZINES, HINT HINT). I should know, I'm one of them. Yeah, I've read scanlations, but I know I prefer the official books (better translation, production values, etc.) and I know that I'm not alone. I may not have all of the information manga publishers do, but I do believe it's good business sense to sell where there is demand. 2ff7e9595c
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